Showing posts with label Claudia Gibson-Hunter. Show all posts
Showing posts with label Claudia Gibson-Hunter. Show all posts

Tuesday, August 30, 2016

Building a Contemporary Art Collection: African American Art



Collecting art can be a most pleasurable pastime. It can be one of the most rewarding, relaxing, and engaging experiences that one can undertake, either as a leisure time pursuit or in a more committed, serious way. The rewards gained from collecting can lead to an increase in the number of social acquaintances and friends of a similar mindset; development of a skill set that broadens and enhances one’s appreciation of the fine arts; offer an opportunity to visit local, national, and international art galleries and museums, art festivals, and art fairs; and provide a form of entertainment.

Don Griffin, Round Midnight, 2015, mixed media collage on paper, 22"x 30". (Baltimore based artist)
Collecting art goes beyond the exercise of buying art and amassing pieces. Let it be particularly understood that my concept of collecting art is not to merely accumulate artworks as a commodity for investment purposes. I am not promoting the now popular trend of collecting art for investment gains. Art has such intrinsic value, and maybe over time, its monetary value may increase, but that is not the driving force to why I encourage collecting art. Nor, am I thinking of art as a purely decorative piece for one’s living or work environment. Art is timeless and can be with you over a lifetime, even as your color scheme and the decorative items in your home change. Art can be beautiful, thought-provoking, and generate conversation with guests. In setting the groundwork for this blog post, I would like to look at collecting in a more committed way, focusing on it as a purposeful, directed commitment to building an art collection. With that in mind and as my guiding principle, building an art collection is a slow process, as the collector defines the scope of his/her collection via some collection development plan, somewhat like curating his/her own personal collection.

I have been approached on numerous occasions, either through personal conversations, emails, or on social media, with questions about collecting art. Because of those questions, I am now taking the time to express some of my thoughts on collecting African American art. Because these thoughts are being expressed in a blog post, they are somewhat skeletal in scope; however, they provide an outline that can be expanded in the future, perhaps into a longer article or series of articles. These personal tips, to varying degrees, should prove useful to the beginning, as well as the seasoned collector.

TIPS
Create a Budget
Contrary to popular belief, buying art is not a luxury relegated to the super-rich. It is doable at many price points. To avoid frustration and anxiety, create a budget for buying art, and you will certainly find pieces to fit within that budget. I cannot overemphasize the importance of creating a budget. You do not want to become frustrated from what should be a pleasurable pursuit. How much can you comfortably spend on art collecting a year? As a strategy, create a fund for collecting, and set aside an amount each month that might get you to your yearly goal. A good start is to set up a budget before you buy your first piece. You may even want to consider limiting the number of art pieces that you purchase a year until you become comfortable and knowledgeable about the art market. Yes, as a collector, you are a part of the art market, which is a part of the larger art world, inhabited by those who buy and sell, including dealers, collectors, and auction houses.

If you are starting on a limited budget, printmaking and photography are a wonderful way to collect original art because they are available in multiples and are often less expensive. Regardless of the media, when buying art, you are safe as long as you choose artworks that reflect your personal taste and that you love. When selecting and purchasing something that you love, the beauty rarely if ever fades, and you get to engage with and enjoy the work on a daily basis. I like to look at collecting art as a pleasurable pursuit, done with balance and moderation. Following this guideline, it remains a relaxing, enjoyable, and educationally enriching pastime.

Get to Know Your Local Artists 
Find an artist whose work attracts and grabs your attention in some way, then get to know this artist and his work. Engage the artist to understand what
he/she is doing, how he/she does it, and why. As you look for possible artists to collect,
Billy Colbert, Washington, D.C. based artist
be creative
in where you look for their  works, consider such places as art schools, college and university galleries, local galleries, alternative spaces such as public libraries, restaurants, coffee houses, and the like. Seek out local artists talks, attend art openings to talk with the artists, and visit artists’ studios. There is usually an arts section in the local and community newspapers; become familiar with the papers and reading the arts section. Seek the name of local artists through these communication sources. If there is an African American newspaper in you city or region, learn where you may be able to buy or read copies of these papers. If you do not have access to a paper copy of the newspaper, often it may be accessed online. The local or regional African American newspaper will often have reviews and schedules of current art exhibitions on view in the locale it covers. Discovering new artists and getting to know the depth and breadth of their work becomes a fascinating and rewarding experience as you mold the scope of your collection.

Find Out What You Like

Finding out what you like may take time, but be patient in the process. What catches your eye? What moves you? Are there pieces or mediums that attract you? You want to view as much as you can to find out what you like. Before
Claudia Gibson-Hunter, Washington, D.C. based artist in her studio
making even the first purchase, visit a number of galleries; look at the modern and contemporary art exhibitions at local museums; visit galleries and museums when traveling to other cities. One of your richest resources to draw on in the future will be the experience gained from learning about and seeing the work of as many local and contemporary artists first hand.
When visiting an artist’s studio, ask the artist if you can take pictures of the works that you like so you might view them at your convenience. Look at these images and study why you like them. Get to know your local galleries; visit their websites or social media pages to read about the artists they represent; get on their mailing list to be invited to art exhibition openings, artists talks, and other gallery programs. Visit and join your local art museum(s), and if there are local nonprofit art centers, get to know them as well. As you explore and discover the riches in museums, also look into becoming familiar with the Association of African American Museums (AAAM) and identify those member institutions that are focused on the visual arts. All of these previously mentioned venues usually present programs by curators or experienced art collectors on some aspect of collecting. They also afford you an opportunity to engage with other collectors.


As a collector, if your interest expands beyond local artists, the Internet affords you an opportunity to expand and broaden your scope of collecting by visiting galleries across the country. Be patient; keep looking, then look some more, and notice how you react to the work by a specific artist or even a specific piece. Eventually, you will trust your judgment and instinct. 
Claudia Gibson-Hunter, France Admonished, 2014, mixed collage, 30¾" x 29¼" 

Educate Yourself by Accessing Information about Art and Artists 
Read contemporary art books and exhibition catalogues that feature the work of African American artists. Your local book store(s), public library, the local college/university library, or a museum library will have or will be able to get books on African American art/artists for you to read. You may want to seek out and look at books and magazines at these institutions before making a purchase. As time passes, you will find yourself wanting to begin to invest in a small selection of books and magazines that support your area of collecting.

To identify African American artists, seek information from a number of online sources such as: 

These sources are an asset for identifying artists, as well as offering links to the latest articles and books relating to African American artists. Journal and magazine articles provide a wealth of information on art. In addition to the well-known, popular titles, such as ARTnews, Artforum, Art in America, Art Papers, especially become familiar with magazines with a focus on Black artists:   

  • Callaloo: Art and Culture in the African Diaspora (Callaloo Art)

  • Nka: Journal of Contemporary African Art 

  • There are a number of African American culturally centered magazines that may feature the work of an artist in select issues. Become familiar with these titles. 

The following are a few books that you might consider reading:  

  • The Art of Buying Art by Alan Bamberger 

  • The Art of Buying Art: An Insider’s Guide to Collecting Contemporary Art by Paige West 

  • The Value of Art by Michael Findlay 

  • Collecting African American Art: Works on Paper and Canvas by Halima Taha  

As you become familiar with the literature, you will want to venture into reading art reviews and press releases.

Auction houses are another excellent source for identifying artists, as well as making purchases. Become familiar with the local auction house(s) in your community or region to see if they are having any auctions that may include the works of Black artists. In addition, get on the mailing list or follow Swann
John Kennebrew, Atlanta collector, viewing art at Swann Galleries
Galleries
(New York). They have an average of two major
African-American Fine Art auctions a year for which they publish catalogues as well as provide online access to the auctions. Another rich source is Invaluable, an online bidding platform that includes fine art auctions, which is the leading provider of data services to auction houses in the US and across Europe. In addition to this service, they have a partnership with premier galleries and dealers, whereby, they process and offer fixed price items. Auction houses, galleries and dealers use Invaluable to deepen relationships with millions of clients around the world, connecting people with the things they love. When visiting these auction sources online, they provide you the capability to execute a keyword search by using African American artists or African American art as a search term.


  Connect with Other Collectors 
I encourage the idea of social networking with other collectors either on a casual basis or more formalized as an organized group. Regardless of the arrangement, the benefits are endless when creating a social camaraderie with another collector or other collectors. Sharing your thoughts and your collection with others, and hearing what other collectors are doing can only strengthen and enhance your experience as a collector. Many friends groups at museums have a specialized group focused on African American art. Seek out examples of such active groups across the country. The Black Art Project has devoted a couple of posts entirely focused on such groups; you may want to look at those groups as a starting point. SEE: Friends Groups; Friends Groups addendum

If not a group, you may simply want to interact with just a small number of individuals on a more personal level. As you visit art programs related to exhibitions, and those specifically geared towards the collector at museums and galleries, you will get to meet individuals with a common interest or who may be interested in works by similar artists.  

Terry Dixon, Will I See You Again, 2010, mixed media, 36"x 48". (Chicago based artist)

 Seek Advice
Buying art is not the first step in the process of collecting. Be informed because you want to feel comfortable as you venture into the art world. When you feel comfortable, then dive into making that first purchase. Periodically reassess your taste and don’t be afraid to experiment. The Internet can be your friend through your growth process; feel comfortable using Twitter, Instagram, Facebook, Tumblr, and other social media platforms. Continually train the eye. 

Even after making the first purchase or those first few purchases, you will want to seek advice on the following: housing the art (frame, mat, glass, etc.), insurance, estate plans, documentation, etc. This section of the process of collecting, "seeking advice", should be seriously considered after the art has been purchased, and probably warrants a blog post dedicated to what needs to be done after securing your first few pieces of art.    

Enjoy the journey of collecting art by African American artists.  

Saturday, February 5, 2011

Select Art Exhibitions During Black History Month

Brentwood, Maryland
Gateway Arts Center


The Brentwood Arts Exchange and the Prince George's African American Museum and Cultural Center present Resonant Forms: Alonzo Davis, Martha Jackson-Jarvis, Frank Smith. The exhibition, Resonant Forms, will be on view at the Gateway Arts Center (1st floor, 3901 Rhode Island Avenue) until April 9, 2011.

Resonant Forms "is intensely visually rich. Its works frame a spectrum of artistic modes that range between expressing through pure color and speaking directly through the conceptual weight of material. Both means are important in each artist's work, while each artist approaches them in different ways."

There is an Opening Reception on Friday, February 11, 2011 from 5 - 8 pm. In addition there are a series of related programs:
  • Artist Talk with Alonzo Davis, Martha Jackson-Jarvis and Frank Smith Saturday, February 12, 2011, 2 - 4 pm
  • Message in the Bottle: A Discussion with Martha Jackson-Jarvis and A.M. Weaver, Saturday, March 19, 2011, 2 - 4 pm
  • Alonzo Davis and The Bamboo Muse, a book of Davis’ artwork paired with the poetry and prose of twelve writers inspired by his work, Saturday, April 2, 2011, 2 - 4 pm


Chicago, Illinois
G. R. N'Namdi Gallery

Charles White, Jubilee, Oil on Board,
39" x 31½"
Charles White: The Shaping of Black America will be on view at the G. R. N'Namdi Gallery until  March 5, 2011. This exhibition consists of twelve pieces originally commissioned and acquired by the Johnson Publication Company in 1974 that tell the story of enslavement to liberation. To read more and view additional images of works from the exhibition, see: N'Namdi Gallery.







Memphis, Tennessee
Memphis Brooks Museum of Art

Willie Cole, Pressed Iron Blossom No. 3,
2005, Lithograph on two sheets
of Somerset paper, 35⅞" x 47¾"


Deep Impression: Willie Cole Works on Paper is on view February 12 - May 8, 2011 at the Memphis Brooks Museum of Art.

This exhibition of over 30 prints, drawings, and photographs by Willie Cole encompasses works from 1979 to 2010. "Although best known as a sculptor, ...Cole has created a series of works on paper that incorporate his characteristic subjects: ironing boards, hairdryers, and shoes, among other manufactured products. He manipulates and reproduces these objects, imbuing them with several levels of meaning that address personal as well as economic, racial, and political issues. For example, he uses irons—some of which he found and some that were given to him by his grandmother, who was a domestic worker—to scorch patterns into paper." Read more at Brooks.

Memphis Brooks Museum of Art is located at 1934 Poplar Avenue; phone: 901/ 544-6200.



New York, New York 
D C Moore Gallery

D C Moore Gallery presents Romare Bearden: Idea to Realization as one of its inaugural shows at the gallery's new location at 535 West 22nd Street. Romare Bearden is on view through March 12, 2011. An illustrated catalogue accompanies the exhibition.

"This focused show features a rare and vibrant group of original artworks that blend paint, photographic images, and abstracted cut-paper elements. Created as maquettes for murals, mosaics, book jackets, and other projects, most of them are being exhibited for the first time." For additional information, see Bearden. View other images at the gallery. 

Romare Bearden, Bessie, Duke, and Louis, c. 1981,
Collage on fiberboard, 12 ¼" x 43", D C Moore Gallery



Sacramento, California
Evolve the Gallery

Kamal Mansour, Hammerin' Hank,
Digital, fabric, found objects,
mixed media collage on canvas,
44" x 44"
Evolve the Gallery, in collaboration with the California Legislative Black Caucus, presents Made in America: An African-American Fine Art Perspective on February 10 -26, 2011. Evolve the Gallery is located at 2907 35th Street, Historic Oak Park.

The exhibition will include over 30 artists from across the country, including Richard Mayhew, Charles Bibbs, Gilbert Young, Kevin O'Keith, Charly Palmer, Alonzo Adams, Cindy Cephus, Kamal Mansour, Kelvin Curry, Kevin Cole, Marcella Muhammad, Milton Bowens, Rosalind McGary, Tamara Natalie Madden, Warren Goodson, and others.

Related Programs: 
  • Art Premiere and Artist Reception, Thursday, February 10, 2011, 6 - 9 pm
  • Opening Reception, Saturday, February 12, 2011, 6 - 9 pm
  • Art Talk and Discussion will be held at The Guild Theater, 2828 35th Street, Historic Oak Park, Tuesday, February 15, 2011, 6 - 8 pm. This program will be moderated by Milton 510 Bowens and will include the following speakers: Senator Curren D. Price, Jr., Assemblyman Mike Davis, Bryan Keith Thomas, Akinsanya Kambon, and Elaine O'Brien.
For contact and more information, see Evolve the Gallery.




Sacramento, California
40 Acres Art Gallery
Milton 510 Bowens, American as Sweet Potato Pie,
Mixed media on canvas, 40" x 40", (Studio shot)

Milton 510 Bowens presents The Encyclopedia Blacktannica: A Contemporary Art Anthology of the African American Experience at the 40 Acres Art Gallery from February 10 - April 9, 2011. The Encyclopedia Blacktannica, consisting of a collection of 105 contemporary fine art paintings, navigates the interior landscape of the African American culture. "Bowens with his unique brand of Abstract Pop influenced mixed media paintings envelop the viewer as witness, participant, and long lost relative. This exhibition conjures reflections on history, family, struggle, perseverance and cultural pride."

Related Programs:
  • Special Preview / Reception: Thursday, February 10, 2011, 5 - 9 pm  
  •  Opening Reception: Saturday, February 12, 2011, 5 - 9 pm
  • Black Face: An Art Talk with Milton 510 Bowens (The artist will be discussing the value of controlling our cultural image): Saturday, February 19, 2011, 3 - 6 pm
  • Portrait of Post Racial America (panel discussion focused on the state of race relations in America today): Saturday, February 26, 2011, 3 - 6 pm
40 Acres Art Gallery is located at 3434 Broadway, Sacramento, California. For more information contact: Gail Williams, 510/ 417-1500, (gwilliams1918@comcast.net) or Michael Craft, 916/ 670-2932, (michael@aegbiz.com).   



Savannah, Georgia
The King-Tisdell Cottage Foundation 

Rik Freeman, Moses Train, 2008,
Oil on canvas, 60 " x 72"
The King-Tisdell Cottage Foundation  presents an exhibition, Rik Freeman: The Chittlin Circuit Review on view February 6 - May 28, 2011. This series of paintings that the artist began in 1994 is based on the origin and roots of Blues music. The exhibit will feature 20 or more oil on canvas works. The underlying objective of the works is "to portray the reality of circumstances that birthed the musical genre, including but not limited to socio-political and cultural aspects of the African American lifestyle in the Deep South...."

The Chittlin Circuit Review represents a collaboration between the King-Tisdell Cottage Foundation and the Savannah Black Heritage Festival. The Opening Reception and Artist Talk are scheduled for Sunday, February 6, 2011, 3 - 5 pm at The Beach Institute which is located at 502 East Harris Street; phone: 912/ 234-8000. Follow this link to read more about the exhibition.



Sterling, Virginia
The Waddell Art Gallery

The Waddell Art Gallery, on the Loudoun Campus of Northern Virginia Community College, presents Claudia Gibson Hunter's Suspicious Activities from February 21 - March 25, 2011.

Claudia Gibson-Hunter,
Code Red: Insurgent,  2008,
Bleach, colored pencil, acrylics,
30" x 22"
Suspicious Activities is a series of over 40 works produced during the Bush administration that  explores the contradictions of terrorism, occupation, and war during that administration. According to Gibson-Hunter, "The damage language can induce not only to the originator of the speech, but to the speaker, the subject of the words and the society the words are spoken in is the subject of these pieces. Bone, muscles, blood sweat, tears, hearts and even souls, are rendered exempt null, void, through words spoken or left unsaid, by the military, the journalist, the scholar and the everyday American citizen."

The Waddell Gallery is located on the 1st floor of the Waddell Building, 1000 Harry Flood Byrd Highway. For additional information, contact: Don Depuydt, 703/ 450-2627.



Washington, DC
The Charles Sumner School, Museum and Archives

Black Artists of DC present The Black Exhibition at The Charles Sumner School, Museum and Archives through March 31, 2011. The Black Exhibition includes the following artists: Cedric Baker, Anne Bouie, James Brown, Jr., T. H. Gomillion, Bruce McNeil, Daniel T. Brooking, Adjoa J. Burrowes, Carlton Wilkinson, Michael B. Platt, Amber Robles-Gordon, John Earl Cooper, Alec Simpson, Kristen Hayes, Gloria C. Kirk, Carol A. Beane, Claudia "Aziza" Gibson-Hunter, Willard G. Taylor, Viola Burley Leak, and Jacqueline Lee.

Opening Reception: Thursday, February 10, 2011, 6:30 - 8:30 pm. The Charles Sumner School, Museum and Archives is located at 1201 17th Street, NW.



Washington, DC
International Visions - The Gallery

International Visions - The Gallery presents its Annual Small Works Show from February 10 - March 12, 2011. Thirty-eight artists will be featured including David C. Driskell, Wadsworth Jarrell, April Harrison, Annie Bouie, Kevin Cole, Tim Davis, Verna Hart, Helen Zughaib, Betty Press, Sam Gilliam, James Phillips, and others. For a full list of artists and additional information, visit: International Visions Gallery.

Reception: Saturday, February 12, 2011, 6:30 - 9:00 pm. International Visions Gallery is located at 2629 Connecticut Avenue, NW.