Wednesday, August 10, 2016

Art on the Vine Plans to Transform Martha's Vineyard with One-Day Art Exhibition

Art on the Vine at the Historic Dr. Fisher's House
On Tuesday, August 16, 2016, The Agora Culture will present Art on the Vine, a one-day art exhibition that is set to transform Martha's Vineyard. This event will be held at the historic Dr. Daniel Fisher House in Edgartown from 1 PM to 8 PM. Art on the Vine will feature over 20 contemporary artists of color, highlighting 100 available works of art, and featuring educational seminars aimed for both new and seasoned collectors.

According to Jessica Stafford Davis, founder of Art on the Vine and The Agora Culture, "Art on the Vine provides a major platform for contemporary artists of color to showcase their work. This event is one-of-a-kind because of our ability to bring investment grade pieces to the Vineyard for art enthusiasts at all levels."  Jessica further states, "Not only are we highlighting museum-quality works, we are providing on-site educational opportunities for new and seasoned collectors, as well as choosing one talented artist for the first year of our newly established residency program." 

The Artists in Residency Program is a four-to-six-week program in Martha's Vineyard for promising artists. The chosen artist will have an opportunity to return to the Vineyard, engage with the local community, showcase their work, and be featured at Art on the Vine in 2017. A portion of the proceeds from this event will directly support this residency program. 

The following artists will be exhibiting and attending this year's Art on the Vine
  • Sheldon Scott
  • Alexandria Smith
  • David Rashid Ibata
  • Mequitta Ahuja
  • Vanessa German
  • Lina Iris Viktor
  • Nate Lewis
  • Ella Alba
  • Jamea Richmond Edwards
  • Juana Valdes
  • Charles Jean-Pierre
  • Adejoke Tugbiyele
  • Elana Casey
  • Aubrey Kauffman
  • David Antonio Cruz
  • Holly Bass
  • Joyce J. Scott
  • Zoë Charlton
  • Stan Squirewell 
  • André Woolery
  • Tiffany Jones
To read about the artists SEE: ARTISTS
The educational panel for collectors will include Peggy Cooper Cafritz and Bob and Faye Davidson, sharing their wealth of knowledge as seasoned collectors.


Tuesday, August 9, 2016

CALL for Collectors of African American Art Books and Ephemera

UPDATE to CALL: 4 Responses.

This CALL has a very narrow focus which is to  identify collectors who have a keen interest in building strong private or institutional collections of African American art books. Traditionally, this area of collecting has not been widely included in collections with an Afrocentric focus. This CALL is a follow-up to an earlier post that focused on my personal collecting, Collecting African American Art Books...A Personal Journey, and has been driven by my desire to connect with other bibliophiles with a similar interest and focus. The role of the bibliophile has been key to the study of African American history and culture and we have a responsibility to continue that legacy, and in continuing it, to make certain that the visual arts are more rightfully included. 

Historically, Black bibliophiles have played a major and sometimes overlooked role in the preservation and documentation of the history and culture of Blacks of African descent. These Black bibliophiles, as collectors, filled a void of collecting print materials that were not always embraced by a large number of mainstream American institutions, such as libraries, research organizations, historical societies, museums, and other cultural agencies. As Black bibliophiles, such celebrated names as the following, readily come to mind: William Henry Dorsey, Charles C. Seifert, John Edward Bruce, Robert Mara Adger, Arthur Schomburg, Joseph W. H. Cathcart, Daniel Alexander Payne Murray, Benjamin Brawley, Henry P. Slaughter, Charles Blockson, Clarence Holte, Richard B. Moore, Mayme Agnew Clayton, Hubert Harrison, William Carl Bolivar, Montgomery Gregory, Carter G. Woodson, Rayford W. Logan, Harrison A. Ridley, Jr., and there are others. They played a role in the documentation and preservation of the history of people of African descent. Through the sale or donation of their materials to libraries or archives their collections have been made accessible to a larger audience. More specifically, some of these bibliophiles were pivotal in establishing major collections at institutions such as Howard University, Atlanta University (CAU), Fisk University, the New York Public Library, the Library of Congress, simply to name a few. 

These book collectors have set a solid foundation for the study of the history of Blacks of the African Diaspora. To continue strengthening that body of literature, I am interested in uncovering what is currently being done to continue that legacy of collecting, but specifically within the visual arts. To that end, I am particularly interested in identifying individuals who have an interest in collecting print materials with a focus in the visual arts. 

CALL: If you are a bibliophile of Black visual art history, please contact Black Art Project (BAP): or leave a comment on the BAP Blog with contact information. This CALL for  Collectors of African American Art Books will close November 30, 2016.

Sunday, July 31, 2016

INTERVIEW: Arvie Smith at Portland Art Museum

I Know the Rules          Fairness Missing          Picking the Low Hanging Fruit     

Comic Images of Black People          Buckwheat          

You Can Kill Something That You Have Dehumanized         

Stimulate a Dialogue          Works Attract and Repel         

 Agitate, Agitate, Agitate                

Friday, July 8, 2016

Outwin Boochever Portrait Competition 2016 Exhibition

Paul D'Ámato, Riverside, Illinois, Inkjet print, 2013. Collection of the artist, courtesy of Stephen Daiter Gallery, Chicago, IL. (Margaret and Marquetta Tisdell, Original Providence Baptist Church.)

Are you familiar with the Outwin Boochever Portrait Competition (OBPC) at the Smithsonian National Portrait Gallery (NPG)? I recently visited the 2016 exhibition which was the result of this competition at the National Portrait Gallery. The OBPC exhibition will be on view through January 8, 2017. As background, The Outwin Boochever Portrait Competition is currently scheduled as a triennial event, and since its inaugural competition in 2006, the 2016 exhibition represents its fourth iteration. 

"The Outwin Boochever Portrait Competition was made possible by benefactor Virginia Outwin Boochever (1920–2005), a former Portrait Gallery docent who volunteered at the Smithsonian’s National Portrait Gallery for 19 years. Boochever also shared the museum’s increasing interest in the important role that contemporary portraiture could play in the life of the gallery, as well as in heralding the museum’s engagement with figurative art and portraiture in today’s world."(NPG Blog, October 1, 2015) 

Finalists of the Outwin Boochever Portrait Competition (not all are pictured). Image: National Portrait Gallery

The National Portrait Gallery invited artists from all over America to investigate the art of contemporary portraiture for its fourth Outwin Boochever Portrait Competition. The 43 finalists, selected from over 2,500 entrants, have their work shown in the exhibition, The Outwin 2016: American Portraiture Today. "The artists selected represent excellence in the art of portraiture. They also tackle some of the most pressing topics in the political and cultural realms, including investigations of race and gender, the fragility of childhood in our increasingly complicated world, and the psychological impact of migration."    The winner, Amy Sherald of Baltimore, Maryland, received a grand prize of $25,000 for her painting, "Miss Everything (Unsuppressed Deliverance)."

Amy Sherald, Baltimore, MD., Miss Everything (Unsuppressed Deliverance).Oil on canvas, 2013, Frances and Burton Reifler. 
 "Sherald creates innovative, dynamic portraits that, through color and form, confront the psychological effects of stereotypical imagery on African American subjects. ...Using light gray paint, Sherald  'emits' skin color so her subjects appear both realistic and otherworldly." (excerpts from museum wall text)

Exploring the depth and breadth of the selections in this exhibition, portraiture has been loosely and creatively interpreted. Read about some of the finalists.

Tuesday, May 31, 2016

Kerry James Marshall: Artist Talk


White is the privileged position to occupy     Set about to be an old master

Black subject...was always at the margin, always peripheral to the central narrative to the story

Conscious decision not to paint white people

Maximum amount of power resides in the extreme blackness of figures 

Knowledge and Skills          Know how things work

Take charge of what you want in the world

Monday, April 11, 2016

RESULTS: Swann's African-American Fine Art Sale 2409

The most recent Swann Auction Galleries' African-American Fine Art Sale was held on April 7, 2016. Sale 2409 brought in $1,831,747 with buyer’s premium, exceeding its pre-sale low estimate of $1,333,000 by nearly $500,000. Of the 121 lots that were offered at auction, 99 sold (81% sell-through rate by lot). According to Nigel Freeman, Swann Galleries’ Director of African-American Fine Art, “This sale continued to build on many of our department’s strengths. Burgeoning interest in post-war abstraction continues to rise, with record prices for Frank Bowling and Felrath Hines, as well as high prices for works by Norman Lewis and Sam Gilliam. This sale we saw success for works on paper by Norman Lewis: Untitled (Processional Figure Composition) set a record for a work on paper by the artist, and several other lots eclipsed their high estimates.”

Select highlights from Swann's African-American Fine Art Sale 2409 are featured in this post, focusing on a selection of the top selling lots in the auction. All price quotes for art sold include buyer's premium.

Lot 94    Faith Ringgold (1930 - )
Double Dutch on the Golden Gate Bridge

Acrylic on canvas and painted, dye and pieced fabric, 1988; 68½" x 68¼". From the 1988 Woman On A Bridge Series.

Image: Swann Galleries

Double Dutch on the Golden Gate Bridge is a joyous and fantastic image of young girls playing together in this popular jumping rope game. They float elevated above the iconic bridge with the facades of brownstones of the city of San Francisco. This lot had a pre-sale estimate of $150,000 - 250,000; it surpassed its low estimate, and was acquired by a collector for $209,000. 

Lot 18  Norman Lewis (1909 - 1979)  

Oil on masonite board, 1947; 17¾"x 14¾". Signed and dated in oil, lower right. Image: Swann Galleries

This beautiful oil reveals the range of Norman Lewis' early experimentation within the abstract idiom in the late 1940s. In 1947 Norman Lewis did a series of these small abstract paintings on board. Two other paintings from this series - Florence and Shapes - were included in the exhibition From the Margins: Lee Krasner / Norman Lewis, 1945 - 1952 at the Jewish Museum. Lot 18, Untitled, had a pre-sale estimate of $60,000 - 90,000; this piece surpassed its high estimate, selling to a dealer for $149,000.  

Lot 38  Hughie Lee-Smith (1915 - 1999)
Untitled (Young Man in a Slum).

Oil on linen canvas, circa 1960; 26"x 36". Signed in oil, lower right. Image: Swann Galleries

This striking and large canvas is a wonderful example of Hughie Lee-Smith's mid-career painting. It appears very closely related to his Slum Lad, circa 1960, in the collection of the Flint Institute of Arts. This painting depicts the same young man a in long-sleeved white shirt, and the same background of crumbling urban decay. Here the figure has turned and is walking away from the viewer - while in Slum Lad he is facing the viewer. Young Man in a Slum, lot 38, sold to a collector for $106,250; it exceeded its pre-sale estimate of  $40,000 - 60,000.

Lot 84  Sam Gilliam (1933 - )
Rondo IX.

Acrylic and canvas collage on cotton canvas, 1983; 44" x 60" with beveled edges. Signed, titled and dated in acrylic, center verso. Image: Swann Galleries
This large painting is an excellent example of Sam Gilliam's Rondo series, a breakthrough new series of paintings in the early 1980s. Thirteen panels from this series were hung together in the rotunda of the Corcoran Gallery of Art in his 1983 solo exhibition Modern Painters at the Corcoran: Sam Gilliam. Rondo IX had an estimate of $50,000 - 75,000; it sold to a dealer for $93,750. 

Lot 32     Norman Lewis (1909 - 1979)
Untitled (Processional Figure Composition).

Oil, pen and ink on cream wove paper, 1956; 26" x 40" inches. Signed and dated "June, 1956" in ink, lower left. Image: Swann Galleries
This complex and expressive work on paper is a superb example of Norman Lewis' evolving calligraphy of "little figures" in the mid-1950s. Lot 32, an untitled piece, had an estimate of $40,000 - 60,000; it sold to a dealer for $87,500, which was a record for a work on paper for Norman Lewis.

Lot 87   Frank Bowling (1936 - )
Irv Sandler's Visit.

Acrylic on cotton canvas, 1977; 46½" x 28". The artist's name spray-painted with stencil, lower left verso. Titled, inscribed and dated "27 Aug. 1977" in purple ink, upper right and lower left verso. Image: Swann Galleries
This richly colored and sumptuous abstraction by Frank Bowling is the first canvas from his 1970s series of "poured paintings" to come to auction. Beginning in New York in 1973, the artist used a tilting board platform to controlled the flow and descent of the acrylic paint vertically down the canvas. This lot sold to a collector for $81,250; it had an estimate of $35,000 - 50,000. In this sale, lot 87 was an auction record for Frank Bowling.

Lot 17   Norman Lewis (1909 - 1979)
Untitled (Figurative Abstraction).

Oil on linen canvas, 1945; 28"x 17". Signed and dated in oil, lower left. Image: Swann Galleries
 This intriguing, modernist composition is the earliest abstract painting by Norman Lewis to come to auction. 1945 is the first full year of his foray into abstraction, and his oil paintings from that year are very scarce. Norman Lewis was painting linear figurations with diagonals and curves, bisecting vertical lines and grids - abstracting figures in the city. Figurative Abstraction had an estimate of $75,000 - 100,000, and it sold to a dealer for $75,000.

Live online bidding was available via Thanks to Swann Galleries for the use of images and written material in the catalogue. 

Saturday, April 9, 2016

Upcoming Art Talks, Symposiums: Spring/Summer 2016

 Atlanta, Georgia 
High Museum of Art
Talk: Franklin Sirmans

On Thursday, May 12, 2016 at 7:00 pm Franklin Sirmans, director of Pérez Art Museum Miami, will discuss celebrated artist Jean-Michel Basquiat's focus on the psychological and spiritual terrain of the American South, the subject of his 2014 book.

Baltimore, Maryland
Galerie Myrtis
Talk: The Intelligent Collector
Untitled, Lois Mailou Jones (1905‐1998), Oil on Canvas, 24” x 20” framed, Ruth and Sam Williams Collection
This gallery talk, The Intelligent Collector, will be presented by Myrtis Bedolla on Sunday, April 17, 2016 from 4:00 - 6:00 pm. Myrtis Bedolla, art adviser and curator, will demystify the collecting process and offer insider tips on building a collection that is culturally rich, aesthetically beautiful and financially rewarding.

The gallery talk is one of the opening events accompanying the upcoming exhibition, Art of the Collectors V, which is on view April 17 - June 11, 2016. Art of the Collectors V explores the role of the collector in preserving culture and building legacy through art collecting and giving. Featured are works created by prominent and lesser known artists, along with African art.  Offerings include rare paintings, original prints, photographs and sculptures held in private hands for generations, and important works of art from institution holdings.

Bloomfield Hills, Michigan 
 Cranbrook Art Museum
Talk: Valerie Cassel Oliver,
Radical Presence: Black Artists and Contemporary Art

Photo by Eric Hester
Valerie Cassel Oliver, Senior Curator Contemporary Arts Museum Houston, will present an overview of her curatorial practice over the last decade. The presentation will highlight a series of exhibitions that have made visible the presence and impact of black artists working in a variety of media from abstract painting to film and video to performance art and beyond. Radical Presence: Black Artists and Contemporary Art is scheduled for Monday, May 2, 2016 at 6:00 pm at Cranbrook Art Museum. 

Charlottesville, Virginia
The Paramount Theater
Artist Talk: Sheila Pree Bright: 1960Now

Image © Sheila Pree Bright

This Artist Talk:  Sheila Pree Bright: 1960Now will be held at the Paramount Theater at 215 West Main Street on Saturday, June 18, 2016 from 11:00 am to 1:00 pm. Bright’s current and most ambitious project to date, 1960Now, examines race, gender and generational divides, to raise awareness of millennial perspectives on civil and human rights. 1960Now is a photographic portrait series of emerging young leaders affiliated with the Black Lives Matter Movement.

Chicago, Illinois
Art Institute of Chicago
            Talk: A Matter of Public Health-Black Doctors and 
Free Clinics in the Art of Jacob Lawrence

Jacob Lawrence, Free Clinic, 1938. H Karl and Nancy von Maltitz Endowment.
This lecture is a part of the American Art Up Close lecture series at the Art Institute of Chicago; it will be held on Thursday,  May 26, 2016 from 6:00 - 7:00 pm. Tanya Sheehan, Colby College, will address public health and medical care in urban America as depicted in modernist Jacob Lawrence’s art from the 1930s to the 1950s.

Art Institute of Chicago
 Talk: Invisible Man: Gordon Parks and Ralph Ellison in Harlem

Exhibition curator Michal Raz-Russo provides a behind-the-scenes look at the process of uncovering work from Parks and Ellison’s collaborations. This lecture will be held in Fullerton Hall on Thursday, June 30, 2016 from 6:00 - 7:30 pm.

Dallas, Texas
Valley House Gallery and Sculpture Garden
Artist Talk: Sedrick Huckaby: Three Forbidden F Words: Faith, Family, and Fathers 

The Artist Talk featuring Sedrick Huckaby will be held on Saturday, April 23, 2016 at 11:00 am. The artist will speak to his latest exhibition, Three Forbidden F Words: Faith, Family, and Fathers, on view at the Valley House Gallery through May 7, 2016. This exhibition includes paintings, sculpture, and drawings from his studio, as well as prints and works on paper resulting from residencies at the University of North Texas P.R.I.N.T. Press, STUDIO-f at The University of Tampa, and the Amon Carter Museum of American Art’s Davidson Family Fellowship.

Evanston, Illinois
Northwestern University
Black Feminist Futures Symposium

The Black Feminist Theory Reading Group "seeks to provide a platform for students to dialogue and network with emerging and established scholars in the field of black feminist theory, as well as encourage interdisciplinary conversations around the future of black feminist thought and theory."

Black Feminist Futures, a two-day symposium that traces Black feminist theory and praxis in and beyond the academy, will fill an institutional void of Black feminist intellectual engagement and social networks at Northwestern. Centering intergenerational Black feminist dialogue as a critical intellectual and social force, sixteen leading scholars will participate.

The Symposium will be held at the Mary and Leigh Block Museum of Art, 40 Arts Circle Drive, on May 20 and 21, 2016. 

Philadelphia, Pennsylvania
The University of Pennsylvania

The 20th Annual Graduate Student Symposium on the History of Art will be held at the Philadelphia Museum of Art on April 10 - 11, 2016. 

Keynote Address:
April 10, 2016, 6:30 - 8:00 p.m.
Structural Adjustment:Mapping, Geography, and the Visual Cultures of Blackness will be delivered by Steven Nelson, Professor of African and African American Art History, University of California, Los Angeles. The visual practices of artists Mark Bradford, María Magdalena Campos-Pons, Houston Conwill, Moshekwa Langa, and Julie Mehretu who use mapping and geography in their works— are explored. Nelson will discuss how these artists reshape our understanding of African ancestry, notions of diaspora, and urban spaces. 

April 11, 2016, 10:00 a.m. - 5:00 p.m.
This symposium presents current research by graduate students from Bryn Mawr
College; Pennsylvania State University; Princeton University; Rutgers: The
State University of New Jersey; Tyler School of Art, Temple University; University of Delaware; University of Maryland; and University of Pennsylvania.

 Wilmington, Delaware
Delaware Center for the Contemporary Arts 
2016 Gretchen Hupfel Symposium

The 2016 Gretchen Hupfel Symposium:  Repositioning Blackness in Contemporary Art at The  Delaware Contemporary Art (Wilmington, DE) will be held on Saturday, April 16, 2016. There are two sessions.

The Art Workshop will be on Saturday, April 16, 2016 from 1:00 to 2:00 PM. Teaching Artist, Tia Santana leads the Workshop and Discussion: Materiality and Narratives of Our Ethnic Hair. Ms. Santana brings her own studio practice and work with hair as a medium to the context of a workshop. Participants will explore the materiality of hair as a creative medium and discuss cultural narratives associated with ethnic hair. 

The Symposium theme will be discussed 6:00 to 8:30 pm from the perspectives of practicing artists, educators, and critics. The Delaware Contemporary’s 2016 Gretchen Hupfel Symposium will explore the complexities of art creation from within both personal and sociopolitical contexts, while considering the ongoing civil rights movement of today.


Zoë Charlton is an accomplished visual artist and an Associate Professor at American University in Washington, DC. 

Jessica Lynne, Arts Critic and Co-founder of ARTS.BLACK, is a Brooklyn-based writer and arts administrator. She states, “ARTS.BLACK is a platform for art criticism from black perspectives predicated on the belief that art criticism should be an accessible dialogue - a tool through which we question, celebrate, and talk back to the global world of contemporary art.”

Julie McGee has published widely on contemporary African American art and South African art, with a particular focus on artist and museum praxis. McGee joined the University of Delaware as an Associate Professor and Curator of African American art in 2008.

Jefferson Pinder is an accomplished interdisciplinary artist and an Associate Professor at the School of the Art Institute in Chicago. His work challenges viewers to think critically about our highly polarized society by exploring representations, visual tropes, and cultural symbolism.