Atlanta, Georgia
Tuesday, April 21, 2015 | 7:30 - 8:30 p.m. | Reception Hall, Level Three
Mildred Thompson (American, 1936-2003), 1989 The Second Mystery, Etching, Artist's Proof Lent by Wes and Missy Cochran |
Birmingham, Alabama
Kelli Morgan, Andrew W. Mellon Post-Doctoral Curatorial Fellow of African American Art |
Sunday, June 21, 2015 | 2 - 3 p.m.
"Join Kelli Morgan, Andrew W. Mellon Post-Doctoral Curatorial Fellow of African American Art at the BMA, for a lecture series on African American art. The series will analyze and illuminate important works of African American art within the Museum’s permanent collection. All lectures are free and open to the public.
Kelli will discuss Rising Up: Hale Woodruff’s Murals at Talladega College."
Cambridge, Massachusetts
The Ethelbert Cooper Gallery
of African and African American Art at the Hutchins Center
Columbus, Ohio
The Ethelbert Cooper Gallery
of African and African American Art at the Hutchins Center
Sunday Afternoon at the Cooper Gallery
In Conversation: Steven Nelson and Abigail DeVille
Sunday, April 12, 2015 | 2 p.m. | 102 Mount Auburn Street
Steven Nelson, Associate Professor of African and
African American Art History, University of California, Los Angeles; Cohen
Fellow at the W. E. B. Du Bois Research Institute, Hutchins Center, Harvard
University.
Abigail DeVille,
Independent Artist; Fellow at the Radcliffe Institute for Advanced Study,
Harvard University.
Chicago, Illinois
Gallery Talk: Archibald Motley: Jazz Age Modernist
Tuesday, April 14 and Tuesday, June 9, 2015 | 12:15 p.m. | Sidney R. Yates Gallery, 4th Floor North
The themes of Motley's work—identity, migration and social change—will be
central to the discussion.
Columbus, Ohio
Department of African American and African Studies
Artist Talk: Art as Resistance: Emory Douglas,
Minister of Culture for The Black Panther Movement
Thursday, April 16, 2015 | 4:30 - 6 p.m. | Barnett Collaboratory, Sullivant Hall 141
Emory Douglas, Artist |
"Emory Douglas will
deliver a lecture along with a power point presentation related to his
graphic artwork during 1960s and 1970s Black Panther Party era, when he
served as the Minister of Culture and Revolutionary Artist. He will also
showcase some of his more recent work, putting into context the social
and political importance of the artwork being displayed." The event being produced in conjunction with: Department of African American and African Studies, Barnett Center for Integrated Art and Enterprise, Office of Diversity and Inclusion, Office of Student Life, Department of Art and the Department of English.
East Lansing, Michigan
Lecture: Mickalene Thomas
Monday, April 27, 2015 | 7 p.m. | S. Kedzie Hall, 107
"The
paintings of Mickalene Thomas combine iconic images of African American women
alongside the classic genre of portraiture. Drawing on art history and
popular culture, her monumental works consider the relationship between black
female sexuality, beauty, and power. Her work is represented in the
collections of the Guggenheim, Whitney, MoMA, and many others." Free and open to the public.
Hartford, Connecticut
"Norman
Lewis (1909-1979) was among the earliest African American artists to explore
abstraction. Ruth Fine, Independent Curator and former Curator of Special
Projects in Modern Art at the National Gallery of Art in Washington, D.C.,
provides a preview of PAFA’s fall 2015 exhibition, Procession: The Art of
Norman Lewis, examining the parallel courses of his abstract and
figurative motifs."
"This lecture reflects upon personal, national, and collective African
American experiences and illustrates how they have influenced American art."
Waltham, Massachusetts
Hanover, New Hampshire
Dartmouth College
Artist Lecture: Victor Ekpuk: Excavating Memories
Friday, April 24, 2015| 4:30 p.m.
Victor Ekpuk will discuss how he mines historical, cultural, and social memories to shape his aesthetics.
Victor Ekpuk. Composition No. 13 (Sante Fe Suite),2013 Graphic and pastel on paper Courtesy of the artist. © Victor Ekpuk |
Victor Ekpuk will discuss how he mines historical, cultural, and social memories to shape his aesthetics.
Hartford, Connecticut
Contemporary Art Series: Hank Willis Thomas: History Doesn't Laugh
Wednesday, May 6, 2015 | 6 p.m.
"One of the most provocative
and innovative conceptual artists of today, Hank Willis Thomas discusses the impact
of photography on his work and explores how the concepts of spectacle and
display connect to notions of African American identity and commodification."
|
Los Angeles, California
Hammer Museum, UCLA
Panel Discussion: A History of Refusal: Black Artists and Conceptualism
Wednesday, May 20, 2015 | 7:30 p.m.
"This panel explores the politics and legacy of African American artists,
both of Charles Gaines’s generation and after, who use strategies of
conceptual art to investigate identity, representation, and American
culture. The panel also considers the impact of past exhibitions that
examined black conceptual practices and questioned what constitutes a
“black aesthetic.” With speakers Thelma Golden, director and chief curator, the Studio Museum in Harlem; Hamza Walker, associate curator and director of education, The Renaissance Society, Chicago; and artist Rodney McMillian."
Philadelphia, Pennsylvania
Lecture: Norman Lewis: Abstracting African American Art
Tuesday, April 21, 2015 | 12 - 1 p.m.
San Francisco
Fine Art Museums of San Francisco, de Young Museum
Docent Lecture: An African American Experience, by Sharon Walton
Sunday, April 26, 2015 | 2:15 p.m.
Waltham, Massachusetts
Rose Art Museum, Brandeis Museum
Artist Lecture: Melvin Edwards
Friday, April 17, 2015 | 1:30 - 2:45 p.m.
Melvin Edwards |
"Pioneering
African American artist Melvin Edwards will join Brandeis Professor Chad
Williams (Chair of African and Afro-American Studies) and Christopher Bedford
(Henry and Lois Foster Director of the Rose Art Museum) for a conversation in
front of sculptures from Edwards’s “Lynch Fragments” series, currently on
display as part of the Rose Art Museum’s presentation of new acquisitions."