The Black Art Project, with a focus on the visual arts, is an evolving multi-faceted series of collective projects that together will present solid, verifiable documentation of the contributions of Black art and artists in the overall body of American art.
The theme of this post is the iconic image of Aunt Jemima in the work of Betye Saar. The first interview focuses on Saar's signature piece, The Liberation of Aunt Jemima (1972) which is in the collection of the Berkeley Art Museum at the University of California at Berkeley; and the second focuses on The Resurrection of Aunt Jemima. The full series, from which these interviews are taken, speak to other topical interests that highlight the depth, scope, and coverage of the artist's work; her professional relationships; and an overall reflection of a life in art. The other interviews in the series include: The Watts Riot, The Influence of the African Diaspora, Artistic Style, and the Impact of No Art in Schools.
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