Maria Magdalena Campos-Pons (Cuban, b. 1959)
Voyeurs and Beholders of..., 2008
Composition 1/15, Polaroid, 20" x 24"
Collection of the artist © Maria Magdalena Campos-Pons
|Radcliffe Bailey, Until I Die/Georgia Trees and the Upper Room, 1997, color aquatint.|
In dialogue with Professor Steven Nelson, UCLA, a specialist on her work.
October 13, 2016, 7 - 9p.m. | Broad Museum | 221 S. Grand Avenue, 90012
Co-presented with the Broad Museum. DETAILS
Naima Keith | Deputy Director, Exhibitions and Programs, CA African American Musuem
Lecture: Museum Responses to Current Events
November 7, 6 - 8p.m. | Graduate Fine Arts Building (IFT)
|Janet Taylor Pickett, Observing Bounty and Promise, 2013, collage of various papers on canvas. Courtesy of Imlay Gallery and the artist. Photo by Christine Gatti. The work draws from Romare Bearden's Circe for its central figure.|
A Private Conversation Made Public
Thursday, October 13, 2016, 7 p.m.
Yale University Art Gallery
|Easter, 1951. (John W. Mosley Photograph Collection, Charles L. Blockson Afro-American Collection, Temple University Libraries)|
Diane D. Turner, PhD, curator, Charles L. Blockson Afro-American Collection, Temple University will speak on October 15, 2016. Her focus will be on Black Philadelphia and the Spirit of Unity: Art and Culture. Turner will illustrate how Mosley’s images chronicled a spirit of known and little-known individuals and art and cultural organizations and institutions. This lecture is an accompanying program for the exhibition, A Million Faces: The Photography of John W. Mosley, on view September 24, 2016 through January 16, 2017. SERIES of SUPPORTING TALKS
|Alison Saar, Tango, 2005; Woodcut on paper, 25¾" x 38¾", Courtesy of the artist and L.A. Louver; © Alison Saar|